![]() ![]() Instrument level signal is produced by guitars and basses and mic level signal is generated by microphones these types of signals need to be amplified to line level signal before getting run through outboard devices like compressors, EQs, saturators, etc. There are 3 different levels of analog signal that you’ll be commonly working with. Instrument Level, Mic Level, and Line Level Signal ![]() Unfortunately, the wildly popular Scarlett 2i2 will not allow you to use outboard gear because it only has two outputs for your monitors. This will allow you to take advantage of either two pieces of mono outboard gear, or one piece of stereo outboard gear the left channel and right channel each require their own input/output. At a minimum, you need an interface with two line outputs (on top of your main monitor outs) and two line inputs. Larger studios may actually need to use multiple audio interfaces depending on how much outboard gear they have.Īn audio interface with many ins/outs will allow you to send signal to a substantial number of outboard units and record multiple tracks at once. It converts analog signal to digital signal and vice versa, meaning you require an audio interface to connect analog equipment to your computer. The keystone of a studio containing outboard gear is undoubtedly the audio interface. Plugin Alliance, Slate Digital, and Soundtoys also make very powerful analog-modeled plugins, and they don’t require the use of dedicated hardware. However, the caveat is that you need to own one of Universal Audio’s interfaces to run their plugins. The company modeling analog equipment the best, in my opinion, is Universal Audio with their UAD plugins. Software manufacturers are now capable of recreating the sound of hardware processing units with pinpoint accuracy. Before catfishing you into rather expensive music production territory, I should mention that a lot of outboard gear is available in the form of analog-modeled plugins. ![]()
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